One Frame

One Frame: Sea Differently

A regular shot with the X100V and the WCLX100

This shot was taken at John O’ Groats in the far north of Scotland. It might look like two different horizontal shots, but it is one frame.

The lower half of the shot is a wall with the painting of the boat, while the van in the upper area is sitting on the pier a couple of hundred feet away. Using the Lensbaby Composer Pro with the Edge 50 optic compresses and allows both areas to be in focus, while blurring the sides, as though there were no distance at all and the scene was flat, without any depth.

This picture was made while on one of the greatest road trips in the world - Scotland’s North Coast 500!

 

SHOT WITH THE FUJIFILM X-PRO2 AND THE LENSBABY COMPOSER PRO & EDGE 50 OPTIC

One Frame 010: 3 Red Dots

The vernacular railway trip up the mountains to reach the Benedictine Monk Retreat at Montserrat in Barcelona, Spain is a spectacular journey. The cable car is another option but I would recommend going up by vernacular and coming back on the cable car. After reaching the top, the air is clear and the views are spectacular. There is also a peaceful quiet only interrupted by the church bells every so often.

I noticed these three red dots on the window before heading downstairs to the exhibition and decided to wait to see if someone would walk into the frame. I had imagined a single person or possibly a couple but a few seconds later these three people walked past and I captured this picture. I shot 6 more after this one but there was no point, I already had the shot I needed. Time plays tricks on you and I had it in my mind that this was the last picture of the sequence rather than the first.

See more pictures of Montserrat HERE

SHOT WITH FUJIFILM X100T & WCL-X100 CONVERSION LENS (28MM FULL FRAME EQUIVALENT)

One Frame 009: Decisive Moment

We’ve all heard about Henri Cartier Bresson’s ‘The Decisive Moment’ I guess. The shot of the man leaping over the puddle (or into it) springs to mind. But HBC just meant that you have to press the button at the right moment. A lot of the time if you see the picture - you have already missed it. So you have to anticipate the moment. But to be honest, sometimes you just get lucky!

This frame was shot during the second month of the Covid-19 lockdown when exploring places off the beaten track was not only fun - it was essential if you wanted to avoid contact with fellow humans. While walking with my wife and kids we came across this burned-out car. I was flying a drone at the time so I grabbed 7 frames of the kids playing on and around the car as the drone hovered above. I only took a single shot of my son jumping off the wreck, and this is that frame. I used the drone footage for my Coronatime film, which I was asked to make for the Fact Not Fear series (below).

SHOT WITH FUJIFILM X100F

One Frame 008: Boy In The Bubble

I like to set mini-projects when visiting other cities or countries, just to make me more focused when walking around. I decided before arriving in Paris that I would shoot a series of square pictures on my iPhone using the Hipstamatic app. At that time this app allowed you to choose a lens and film simulation and shoot pictures with a wide range of looks, from pinhole cameras to plastic cameras and everything in-between. But the reason I chose Hipstamatic was that (back then) the effect was backed into the picture and couldn’t be changed. My goal with this project was to make a book using the Blurb platform when I returned home. I also shot with my Fuji cameras while in Paris, this was just a side project.

This shot always prompts a few questions when people see it. The effect is not from Hipstamatic as I was using a simple colour film look on this one. What you see here is my son Teo in a plastic ball that is pumped full of air and pushed out onto a pool full of water. The kids then try to stand up, walk, or run inside the ball, but always end up falling over. The plastic ball has a constant covering of water running down it and provides this painterly look to the picture.

I designed the book and sent it off to Blurb the day after I returned from Paris. I strongly recommend printing your pictures in one form or another. I have a folder called Prints on the desktop of my Mac that I drag a copy of any interesting photos that I make. Then every so often I send these to Loxley Colour and have prints made. I also make books using Blurb often and add them to my bookcase.

The 7”x7” book of iPhone pictures shot in Paris in 2005

SHOT WITH iPHONE 6 AND HIPSTAMATIC APP

One Frame 007: Man Down

Each year in the stifling heat of Italy, runners set off from Venice on The Moonlit Marathon, pounding the streets through Jesolo. During the 2012 event, one of the runners suffering exhaustion and possibly dehydration collapsed outside Hotel D’Annunzio. Spectators tried to help the runner by placing his feet on a chair and the hotel owner brought glasses of water, with most of that water being poured over the runner. An ambulance was called and the man was treated on the ground by paramedics before being taken away on a stretcher.

I picked up the Professional Photographer of the Year Award in the news category in 2013 for this picture. It’s still one of my favourites to this day. Although the composition is technically flawed. as the main subject is in the centre of the frame and there is a lot of dead space. at the bottom, I think it adds to the. drama, especially with the extremely crooked verticals. I shot frames before and after this one but everything just came together in this one shot, the water on the ground, the number on his chest blowing down and the man leaning over him with his hands on the runner’s chest. It’s a shot made for black and white.

SHOT WITH FUJIFILM X100

One Frame 006: Accidental Vintage

The vintage-looking portrait you see above of jazz trumpeter Tom MacNiven was the result of a happy accident. Back in 2016, I was shooting with two black X-T1 cameras that looked identical. I had been asked to shoot a set of promotional pictures of Tom for an upcoming set of concerts. After setting up my background, lights, and modifiers, I asked Tom to stand in position so I could set the power of my lights. I grabbed an X-T1 from my bag and attached the 56mm f1.2 lens, raised it to my eye and took a test shot. The picture was overexposed, but I noticed that the colours were way oversaturated and looked strange. Then I realised I had picked up the camera that I had used the day before with Fujifilm’s miniature effect engaged. I had forgotten to follow my own advice and reset the camera so it was ready to shoot straight out of the bag. I quickly switched out of miniature mode and carried on with the shoot.

It wasn’t until I imported the pictures into Lightroom that night that I realised there was potential in this picture. It was way overexposed, but to my amazement, I was able to pull the exposure down and retain detail in the highlights. I played around with the colours, but the miniature effect jacks the colours up to give that toy look. So I converted it to black and white using my homemade LR preset with the catchy title of ‘ Contrasty B&W Split Tone +V’ (my presets tend to do what they say in the title). The +V just means a vignette is included. I then made a few other tweaks to clarity and sharpness and the results are what you see above. I used Nik Silver Efex Pro2 to add the frame.

SHOT WITH FUJIFILM X-T1 AND 56/1.2

One Frame 005: Eiffel Tower

I couldn’t help but notice kids trying to drop things off the Eiffel Tower, sticking their grubby little mittens through the railing with a mischievous look on their faces. I thought about the damage even a small coin would do to someone’s head if it fell from such a hight. That got me wondering if there was any sort of netting used to prevent things from being thrown to the street below.

I couldn’t get my head through the railing, but I did manage to carefully get my X100T with the WCL-X100 wide-angle conversion lens attached to fit through. With the strap around my neck, I pointed the camera down toward the street and captured a single frame. The picture was just supposed to let me see what was over there, otherwise, I would have taken more than one.

If you look closely you will see all sort of things that have been dropped over the side by mischievous or clumsy humans. The worst of which are coins and metal keyrings in the shape of the Eiffel Tower.

SHOT WITH FUJIFILM X100T AND WCL-X100 CONVERSION LENS

One Frame 004: Jeremy Corbyn

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I was heading to the Edinburgh Fringe with a couple of Friends (both called John) to shoot some pictures. We had decided all three of us travel there on the train so we could have a chat on the way. As we got off the train, one of my friends mentioned that Jeremy Corbyn was walking behind us on the platform. I asked who he was and John said he was about to become the leader of the Labour Party and possibly the UK’s next prime minister. So I spun around and shot a frame (which was out of focus). I grabbed another one as the entourage went through the ticket barriers (the one above).

That was back in August 2015 when I knew nothing about politics. Fast forward to today April 2020 - I still know nothing about politics, but I do know Jeremy Corbyn is not the prime minister. I don’t think he’s even the leader of the Labour Party...but I could be wrong.

I don’t vote and I couldn’t care less who is in power in Scotland or the UK. To me, they will all do as good or bad a job if it, they just move the chess pieces round differently. But I do think my impartiality would make me the ideal photographer to cover political event…I would just need somebody to point out who is who :o)

SHOT WITH FUJIFILM X100T

One Frame 003: Out Of His Shell

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While leading a street photography walk for Fujifilm UK during London Photo 24 back in 2017. I took the group of photographers through Camden Market. On our way out the back of the market and over the bridge, this man was standing, coffee and walkman in hand, looking like Touché Turtle with a gym membership. Impressive for a man of his age and he was quite happy to show it off. Although this scene looks scarce of people, there were hundreds behind me.

I could have taken the sign on the wall behind him and taken this post in a different direction - but let’s not go there.

SHOT WITH FUJIFILM X70

One Frame 002: TV Guys

While walking through some narrow alley-ways in Barcelona, I came to a point where I could either turn left or right. But the light coming in from above, paired with the graffiti on the shutter in front of me was interesting. So I waited for someone interesting to pass through the viewfinder of my X-Pro2. A few people moved in and out of the frame, including girls that couldn’t make up their mind which way to go, or couples out for a stroll. But if you wait long enough something interesting will happen.

Suddenly these two guys walked through the frame carrying a large TV and I knew at that moment that I had the frame I had been waiting for. It didn’t occur to me until much later that there is a great shot by Magnum photographer Abbas in his ‘Return To Mexico’ book that has a similar picture. Now I couldn’t have predicted these guys would walk into my frame, so no copying occurred. Abbas has the best shot of course as it has a better TV and the dog is the icing on the cake. But I do like my Barcelona shot too.

SHOT WITH FUJIFILM X-PRO2 & 35/2